MASK LAB

EYES ON THE BODY

The construction of a mask is a means through which we can access the body. The time dedicated to making a mask is necessary to create its unique mythology, which can then be embodied and realised in dance.

This workshop is for anyone wishing to explore body expression techniques from Butoh, anyone wishing to experiment with the construction of a mask and anyone who is willing to play.


In Butoh, a mask (or white make up applied to the skin) is considered as offering great potential for transformation and expression. Kazuo Ohno said "through colour (the mask) one erases oneself in order to free oneself.”

A mask is a tool that puts the body at the centre of creative investigation: the dancer must be able to express through movement all that cannot be expressed through the eyes or facial expression. In Butoh, it’s as if the body has many eyes that express themselves through movement, tension and emotion.

Since masks cover the face, insecurity or shame are naturally neutralised. However, although masks cover, they also reveal. Each character has a story of its own, often drawing upon the dreams and desires of the participant: a personal mythology that emerges spontaneously when one begins to dance.


Merger with the mask then becomes total, as the mask-wearer screams, runs, has fun, fights and dies, fusing with the being represented and actually becoming that being. This magic, which is contained within the mask itself, has always been present amongst diverse communities around the world.



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Realisation

  • A 1-week research and action laboratory (6 hours per day), in which each person creates their own mask and is invited to participate in movement experiences, culminating in a final performance.

  • For this workshop, newspaper, wallpaper, glue and moulds (hardboard masks) are required for each participant.

  • It will also be necessary to touch the glue with your hands and work with your eyes closed.